![]() In his story, Hemingway paints a characteristic portrait of war repatriates. The very concept of a home for them does not seem to exist: these are people who have lost a sense of stability and attachment to anything. The heroes of the lost generation of writers often live outside their homeland. The literature on the lost generation is a heterogeneous phenomenon, but its characteristic features can be distinguished (Soto 145): The expression lost generation was first cited in 1926 by Ernest Hemingway, after which it became common. The definition of lost generation literature began to be applied to the works of writers that reflected the tragic experience of the First World War (Soto 141). In Western European and American literature of the first half of the 20th century, the central theme was the theme of the First World War and its consequences, both for the individual and for humanity. One of the most exciting ways the author portrays this theme is through the use of the theme of the feeling of loss. The protagonist illustrates how difficult it is to adjust to a normal lifestyle compared to life abroad or before he went to war. In his short story, Soldier’s Home, Ernest Hemingway’s character Krebs portrays the hardships he faces on his way home from the war. Sometimes the most challenging part of a war is getting home. He must find a job and become a valuable member of the community. He avoids all the efforts, consequences, and complications encountered in ordinary life. Nevertheless, even when he exaggerates or truncates and lies, no one is interested in his stories. However, Krebs wants to talk about his terrible experiences and experiences during the war. In a small town, the first repatriates were honored as heroes, but now this topic is already closed, and no one needs a story about the war anymore. ![]() The protagonist is one of the last to return home. Harold Krebs returned to Oklahoma in 1919 after World War I.
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